2025
FIVE ARTIST PROFILES for VITAMIN V: VIDEO AND THE MOVING IMAGE IN CONTEMPORARY ART (Phaidon, 2025)
AN INTRODUCTION TO JAPANESE PINK EIGA FILMS for Purple Magazine
EXHIBITION TEXT for Tanya & Zhenya Posternak Exhibition
PROGRAMME NOTES for DARK HABITS (1983) for Batalha Centro de Cinema
PROGRAMME NOTES for A DREAM LONGER THAN THE NIGHT (1976) for Batalha Centro de Cinema
2024
ESSAY CONTRIBUTION in Sarah Lucas: Bunny Book (Sadie Coles, 2024)
ESSAY CONTRIBUTION in Urs Fischer: Monumental Sculptures (Gagosian, 2024)
EXHIBITION TEXT for Vampire Problem? at Ginny on Frederick & N/A Seoul
INTERVIEW with Diego Marcon in CURA
INTERVIEW WITH HARMONY KORINE in Frieze
ROISIN TAPPONI SHARES HER VENICE BIENNALE HIGHLIGHTS for Art Basel
LANDSCAPE STUDIES for Shane Akeroyd Collection
PROGRAMME NOTES for LEILA AND THE WOLVES (1984) for Batalha Centro de Cinema
PROGRAMME NOTES for IN THE REALM OF THE SENSES (1976) for Batalha Centro de Cinema
PROGRAMME NOTES for MURDERING THE DEVIL (1970) for Batalha Centro de Cinema
2023
ESSAY on BRUCE NAUMAN’S ‘ART MAKE-UP’ in System Magazine
INTERVIEW WITH HOOR AL QASIMI in Frieze
THE ARCHITECT INSPIRING MUSLIM GIRLS EVERYWHERE in gal-dem
CURATORIAL TEXT FOR ALIA HAMAOUI in Soup London
CURATORIAL TEXT FOR NADA ELKALAAWY in Teymour Grahne Projects
2022
RÓISÍN TAPPONI IN CONVERSATION WITH SHIRIN NESHAT for CIRCA
REVIEW OF JULIANA HUXTABLE AT PROJECT NATIVE INFORMANT in Artforum
ON FAKE NAILS in Real Review
CURATORIAL TEXT FOR SHAMIRAN ISTIFAN at Rose Easton
CURATORIAL TEXT FOR EMANUEL DE CARVALHO at Guts Gallery
CATALOGUE TEXT: DESIRE IN ALGERIAN WOMEN’S CINEMA for French Pavilion at Venice Biennale
SONIC CONTINUUM: ON THE SOUND AND POETICS OF TIME for Nottingham Contemporary
THIRST TRAP THEORY in Frieze
INTERVIEW WITH ZINEB SEDIRA [PRINT] in Frieze
REVIEW OF NIKITA GALE AT DAVID ZWIRNER 52 WALKER in Frieze
THE FIRST FEATURE FILM FROM MARTINE SYMS IS A HAZY, ALLURING, SEND-UP OF THE ART WORLD in Vogue US
INTERVIEW WITH DANIELLE ARBID in VDrome
VENICE FILM FESTIVAL SHOWED THE METAVERSE CAN EMPOWER A NEW GEN OF WOC FILMMAKERS in gal-dem
HEARTWARMING SOUTH WEST ASIAN AND NORTH AFRICAN LOVE STORIES THAT YOU CAN STREAM NOW in gal-dem
SEVEN ANTI-CAPITALIST FILMS TO WATCH AFTER SQUID GAME in gal-dem
THE UPCOMING ART EVENTS IN SAUDI ARABIA YOU CAN’T MISS in Grazia
ON MYRIAM BOULOS in Foam Magazine
2021
DOMESTIC ODYSSEY: HOW ARTISTS ARE USING VIDEO TO EXPLORE THE CHANGING FACES OF 'HOME' in Frieze
HOW ABBAS ZAHEDI TURNED AN EXHIBITION INTO A MUTUAL AID GROUP in Frieze
HOW ARAB ART COLLECTIVES ARE USING THE INTERNET TO CROSS BORDERS in Frieze
DOROTHY IANNONE AND JULIETTE BLIGHTMAN'S DAILY PLEASURES in Frieze
HOW TO SLEEP FASTER #11 [PRINT] for Arcadia Missa
AS WE GAZE UPON HER CATALOGUE [PRINT] for Warehouse421
THE STREETWEAR BRAND BRINGING AUTHENTICITY TO SUSTAINABLE FASHION for GQ
AN INTRODUCTION TO PALESTINIAN WOMEN’S CINEMA in Dazed
Selected 2018-2020
IT'S ABOUT TIME FILM BEGAN REPRESENTING THE LESBIAN GAZE in The Guardian
DOMESTIC TECHNO: SOFT(WARE) DESIRE IN BJÖRK’S VESPERTINE in Worms Mag
INTERJECTION CALENDAR: THE SEA MORE THAN MOANED POEM in Montez Press
BLTNM ARE THE PALESTINIAN RECORD LABEL BREAKING DOWN BORDERS in i-D Magazine
HUSSEIN TALKS CREATIVE FREEDOM, INFLUENCES AND DUBAI in Trippin’
TASTES LIKE ARAK in Lindsay Magazine
WHY RECONNECTING WITH MY ARAB CULTURE IS MY GREATEST ACT OF SELF-CARE in Vogue Arabia
ALAA BALKHY in GQ Middle East
CINEMA AGAINST THE HETERONORMATIVE GRAIN: INTERVIEW WITH MARYAM KESHAVARZ in Yes & No
PROMOTING ARTIFICIAL LOVE AS AN ALTERNATIVE REALITY in Dateagle Art
A NEW FEMINIST CARTOGRAPHY: FEMALE MENA FILMMAKING 2010-2019 in Halozine
OVER 95 ARTICLES (2019) in Mille World